#16 Catherine Skowron

June 26, 2020 by TruroHistorical

Cathy Skowron has been an artist and educator on the lower Cape since 1969. Her interest in and love of the natural landscape is reflected in her art as well as all areas of her life. “Skowron’s oil painting . . . provides viewers with originally interpreted Cape Cod themes that transcend the genre. Her landscapes reflect the naturalist in her soul—she knows these dunes and paths intimately and revels in bringing people into her own special places.” Provincetown Banner 1/30/2014.

She has studied art in France and Italy and on Cape Cod with Carol Whorf Westcott, Sal DelDeo, and Elizabeth Pratt.

Catherine has exhibited in a variety of venues in both open and juried shows, and her works are in private collections throughout the U.S., Canada, and Europe. In 2015 Skowron received an award from the Edward Hopper House Art Center in Nyack, NY, for works included in “After Hopper” events sponsored by Addison Gallery.
She is represented by Cortile Gallery, Provincetown www.cortilegallery.com .

A joint project of the Truro Historical Commission and the Truro Historical Society, this guidebook was created to commemorate the 400th anniversary of the landing of the Mayflower in Cape Cod Bay in 1620 and is an update of the 1984 guide that celebrated the 275th anniversary of the founding of Truro.

Click here to download the guidebook: Historic Truro Tours

This program was supported in part by a grant from the Truro Cultural Council, a local agency that is supported by the Massachusetts Cultural Council, a state agency. Funding for printing was also provided by the Truro Chamber of Commerce, Truro Part-Time Resident Taxpayers’ Association, and Truro Vineyards of Cape Cod. Chuck Steinman, Editor and Graphic Design, Truro Historical Commission.

Our Support for Racial Justice

The Truro Historical Society (THS) supports the peaceful Black Lives Matter movement for racial justice that is taking place in the United States and around the world. “Liberty and justice for all” means justice for Black and Indigenous populations, and for all people of color.

Museums and archives are not neutral spaces. Because we interpret history, we have the responsibility of presenting the past as fully and accurately as possible, including painful and uncomfortable aspects. The past feeds into the present, and when a community actively engages with its past, it can use its understanding to make a better society.

Truro was founded on land that had been inhabited by Native People for thousands of years, but these people were displaced by English settlers. There were enslaved people and indentured laborers enduring near-slavery conditions in Truro. In 1754, the town’s first minister, Reverend John Avery, bequeathed to his children three African-American enslaved men and “my Indian Girl Sarah.”

After reflecting on the “settler privilege” that most of us enjoy, the THS decided in late 2019 to mark the 400^thanniversary of the Pilgrims’ arrival with a decolonial exhibition celebrating Truro’s first inhabitants, the Wampanoag Nation, from its origins to today. During the postponement caused by the coronavirus, the THS will continue to consult with Indigenous scholars and community members. We will increase our commitment to diversity and inclusion. As a token of our commitment, the THS wishes to share the Land Acknowledgment we have prepared in consultation with members of the Wampanoag Nation. This statement will stand at the entrance to the Highland House Museum’s permanent exhibition about the Paomet and the Wampanoag peoples.

Land Acknowledgment

The Highland House Museum stands on the traditional homeland of the Paomet Tribe, members of the Wampanoag Nation, who have inhabited Cape Cod for more than 12,000 years and who knew this part of Truro as Tashmuit. The Truro Historical Society acknowledges the displacement, suffering, and forced assimilation of the Wampanoag and other Native Peoples caused by European contact and colonization. We honor the struggles of the Wampanoag, People of the First Light, and support their resilience, and we ask museum visitors to reflect on our shared responsibility to maintain social justice.

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